Color and Makeup : color harmony ( make the rules )

Color - an important part of makeup.Like the picture, it is intended to create the impression in the audience's emotional, affecting his perception and compelling experience certain feelings.But if art is available in black and white, the make-up, by definition, can not be: the human skin has a yellowish or pinkish color, hair (as well as eyelashes and eyebrows) have color as the lips, iris, sclera eyes, and so on.. this means that the color is one of the main components of the right grima.Iskhodya of "natural color" women (ie, its color type appearance..) creates a make-up: it is based on the selection of the correct (suitable) color palette, seasoned in warm orcold tones.

Few know which colors go or do not go to a woman, you should always pay attention to the shade of color, do not confuse "warm" to "cold".As a rule, a person is suitable only one color option.If you learn to define your color scheme and stick to it, your makeup will always be the best.

You must clearly understand what the purpose of

pursuing, combining colors with each other by placing one tone to another, using a variety of color bands.You can not mix colors thoughtlessly: The result may be unexpected.And if such a pattern is allowed the liberty, when applied to the face make-up you need to exercise extreme caution.Bold experiments with color should not be made before an important event, and in his spare time.

In general there are three main colors : red, yellow and blue

all other colors are derived from them, they can be called secondary.

Secondary colors are obtained by mixing together the three major: green - a combination of blue and yellow, purple - is a red and blue, and if you mix yellow with red and orange formed.

secondary colors can also be mixed, and then as a result we obtain a spectrum of the twelve new colors

but even within the same color, you can create a wide variety of shades, diluting it with black or white.

Two important characteristics of color - saturation and brightness .The thicker the color, the richer it is, if it can not be strengthened, then it means that it has reached its limit.Consequently, rich color can not be made even brighter, but it can be clarified by adding the white: this way you can get a wide variety of shades.

second characteristic light - the brightness or lightness.Imagine the scale, where instead of zero - white, and the top point - black.So, the closer to zero (to white) is the color, the brighter it is.For example, yellow and orange light red and green, and these two colors lighter blue and purple.

You can also select neutral colors, with no bright signs (the concept of saturation and brightness to them are not): it is white, black, gray colors.

Warm and cold colors gamma .The definition of "cold" and "heat" emanating from the color, quite subjective: the first is associated in our minds with snow, ice, water and in the winter, and the second - with the sun, fire, heat and summer.It is sometimes difficult to determine what is a particular color - warm or cold

but with "pure" colors (three primary and derivatives thereof), such difficulties do not arise.

All the warm colors are active, and cold - passive.Moreover, the closer the color is to the "pole of heat" (ie. E. To red), so it is "difficult", and vice versa, the proximity to the "pole of cold" (blue) "facilitates" color.

following colors are in warm colors: yellow, orange, red.They not only "warm", but also bring the subject, push it to the forefront.

For cold colors belong to the blue, green and purple.Their properties - give "cool" and even estrange, suspend the subject, push it back.

Of course, this is just a visual effect, no more than

but two subjects, blue and red, standing at equal distance from the viewer will look different.Blue "postponed" to the background, and red on the other hand, "will perform" forward.With the same parameters, they nevertheless will not produce a similar impression.

This property of cold and warm colors are widely used in make-up: using the effect of "alienation" and "proximity" one part of the face can be isolated and obscure others put the emphasis on the eyes or lips, graceful outline shape of the face, emphasize cheekbones or "remove"cheeks and so on. d.